No Store Does More . . . for Texas Wildlife?
H-E-B’s snazzy new nature docuseries highlights the conservationists who protect bats, bears, ocelots, and redfish.
H-E-B’s snazzy new nature docuseries highlights the conservationists who protect bats, bears, ocelots, and redfish.
Batman, Superman, and the Flash live in fictional cities. The first Latino superhero needed his own.
Texas quadrupled its annual film incentives. Hollywood’s favorite Texas small town, Smithville, shows the opportunities—and hazards—ahead.
The Houston director’s big-budget debut flopped—but it wasn’t set up to succeed.
“There’s no basement at the Alamo!” and other lessons on the state from the late Paul Reubens.
As of July 19, SAG-AFTRA has granted waivers allowing 45 projects to keep rolling, many of them in Texas.
From her West Texas home, veteran film producer Carolyn Pfeiffer reflects on her coming of age in the world of celebrity and discusses her memoir.
Only thirty theaters capable of project 70mm IMAX exist in the world. Two of them are in Texas. You'll probably have to settle for "Croppenheimer."
During Anne Rapp’s Hollywood career, she worked with the biggest names in movies. Now, at 72, she’s ready to tell her own stories about her Panhandle upbringing.
Richard Linklater didn’t set out to make a Texas film, but Matthew McConaughey’s iconic character feels like somebody every Texan knows.
H-Town is the cartoon character’s alleged hometown, but she seems more like a Conroe gal to me.
The 1950s-set comedy is being hailed as the director’s best work in years, and I can’t figure out why.
The Lege approved the highest film incentives budget the state has ever seen. Here's what that massive check means for productions and the biz overall.
Meow Wolf finally opens! Jamie Foxx returns to Netflix! Erykah Badu is on tour! Vampires are at war?
'TV Montrose,' the lightning-in-a-bottle production that aired from 1998–1999, is being digitized by the University of Houston Special Collections Library.
‘Mad Men.’ ‘Homeland.’ ‘Love & Death.’ The current golden age of television wouldn’t be the same without the work of Dallas native Lesli Linka Glatter.
Hypnosis played a critical role in the real-life case depicted in Max’s ‘Love & Death.’ But was it good science? Here’s what the experts say.
The Max docuseries debuting today sheds new light on my reporting for Texas Monthly.
The award-winning hitmaker is just as obsessed with ‘Vanderpump Rules’ as we are.
Hypnotic, the supernatural thriller starring Ben Affleck that opened on Friday, is Robert Rodriguez’s twenty-first movie. The lifelong Texan is more prolific than almost any of his ’90s indie-film contemporaries—Quentin Tarantino, whose Reservoir Dogs debuted about a year before Rodriguez’s El Mariachi, has only made ten!—and that’s including a
Based on his life growing up in San Antonio’s Southside, the show feels unencumbered by the weight of representation.
Connie Britton’s tough yet compassionate Friday Night Lights character remains one of our most inspirational depictions of Texas womanhood.
What makes the Texas woman unique? What makes her distinct from the demure Southern belle or the rugged, rifle-toting frontierswoman of the American West? As the novelist and Texas Monthly contributor Sarah Bird suggests in her 2016 essay collection, A Love Letter to Texas Women, maybe
The show’s infamous second season was shortened because of the strike, but that’s not the whole story.
For decades, Lubbock-based filmmaker Dale Johnson traveled the globe documenting the beauty, power, and fragility of the natural world.
The show's cast and director reflect on the HBO Max series, based on a 1984 story written in Texas Monthly.
HBO Max turned my house into that of Candy Montgomery, played by Elizabeth Olsen. Then things got hyperreal.
The movie uses a classic heist format to tackle the hot topic of climate change.
Paul Newman plays a brutish, morally repugnant monster in the classic anti-western. So why do Texans admire him anyway?
A new trailer reveals that the Mexican American superhero will live in a fictional city, breaking with canon. Comic book fans are not happy.
We have seven words for you: Owen Wilson in a Bob Ross wig.
Netflix’s new docuseries revisits the 1993 standoff between David Koresh and the federal government without any agenda—or real purpose.
The new Beyoncé-inspired, must-watch TV show explores what happens when fan culture goes too far.
The Corpus Christi native’s directorial debut is a self-assured, joyful ode to inclusivity and snack foods.
The current Yellowstone-fueled “Westerncore” aesthetic is little more than a cultural blip compared to what Dallas and Urban Cowboy unleashed in 1980.
Forty years ago, a crop of films led by ‘Terms of Endearment’ and ‘Tender Mercies’ reimagined the way we see Texas.
Ren Stevens and Kim Possible led the early aughts star to the role she was always meant to play—content strategist—in the place she was always meant to live.
With two blockbusters hitting theaters in the span of a few weeks, the newly minted A-lister is doing Cedar Hill proud.
The film composer behind the scores for ‘Devotion’ and ‘I Wanna Dance With Somebody’ has never bought into the rigid rules of classical music.
Katherine Propper’s student films have won awards at major film festivals. How does she do it? By knowing the rules of filmmaking—and breaking them.
The El Paso–born wrestler Cassandro, Edinburg High School mariachis, and a Matamoros teacher all shone at the 2023 Sundance Film Festival.
The Texas-raised actor returned to Sundance for the premiere of his latest film—a brutal, impressive character study of a troubled bodybuilder.
Margaret Brown’s remarkable ‘Descendant’ deserved to take its case for reparations to an audience of millions.
With ‘The Baroness From Kaufman County,’ two Austin filmmakers help the East Texas philanthropist tell her story the way she sees it.
The HBO series ‘The Last of Us’ spent its first act showing us how Austin would handle people-eating monsters. Houston, on the other hand . . .
Jonathan Majors and Tommy Lee Jones don’t just have their home state in common.
Fawcett set the standard in the 1970s—blond, thin, and smiling. Thankfully, that’s changed.
The TV sensation, largely set elsewhere, leans on Texan artists from Uncle Lucius to the Panhandlers to set an authentic Western tone.
From ‘Stranger Things’ to the Sex Pistols, from the Houston suburbs to the outskirts of Texas City, these were the actors who got our attention.
This is the year that returned Beyoncé to our ears and Beavis and Butt-head to our screens.