
“Take Nothing and Make Something”
Working alone at his home in East Texas, Fox Harris is divinely inspired to create towering, fanciful sculptures out of junk.
Working alone at his home in East Texas, Fox Harris is divinely inspired to create towering, fanciful sculptures out of junk.
So. Ralph Sampson listens to Grover Washington and Akeem Olajuwon craves Chinese food. Now you know.
After encountering this small brown barb, the wise Texas child learns to pick and choose his fights with the landscape.
In 1541 Coronado and his troops stumbled upon a huge canyon in the midst of grassy plains and gazed upon it with awe. Journeying down into Palo Duro Canyon on mules 443 years later, I began to understand why.
This story is from Texas Monthly’s archives. We have left the text as it was originally published to maintain a clear historical record. Read more here about our archive digitization project. From 1983 to 1986, Texas Monthly’s regular feature, “Western Art,” highlighted artists’ takes on the classic
2010: a space travesty; Dune gets mired in pomp and slime; A Soldier’s Story is a murder mystery with soul; even Streep and De Niro can’t save Falling in Love; The Brother from Another Planet is woozily morose.
A purist’s guide to the night spots of Houston, Dallas, Fort Worth, and Austin.
A book on Mexico by New York Times correspondent Alan Riding is a little more than a rehash of recent history.
Arquitectonica is trying to sell Texans on gimmicky forms, bright colors, and high-tech materials in the name of avant-garde.
Law and order in Colorado City; winning and losing with the Dallas Diamonds; bargains and hassles on People Express; broiling and sweating in pursuit of mesquite chic.
To oilmen, intangible means untouchable; to UT, untouchable means Fred Akers; a legal courtship sinks; a billboard solution may float.